Does the enigma of the typeface hide in the character forms of each letter? It is incredible that a simple mark (such as the letter a) can take on a seemingly endless number of visual guises. And it is certainly a puzzle to try and see through those guises and reveal any sense of form beneath. As Eric Gill pointed out "letters are things, not pictures of things". They must be allowed to bend and move and fill their own spaces, to relax against one another and create unique rhythms that excite the mind.

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