Futura Extra Bold Oblique

Futura Extra Bold Oblique
Up, and after doing some busi
Up, and after doing some business at my office abroad to Lumbard Street, about the getting of a good s…
Up, and after doing some business at my office abroad to Lumbard Street, about the getting of a good sum of money, thence home, in preparation for my …
Up, and after doing some business at my office abroad to Lumbard Street, about the getting of a good sum of money, thence home, in preparation for my having some good sum in my hands, for fear of a…
Up, and after doing some business at my office abroad to Lumbard Street, about the getting of a good sum of money, thence home, in preparation for my having some good sum in my hands, for fear of a trouble in the State, that I may not have all I have in the world…

We recommend using this font only for large headings. Show smaller sizes

Example Characters

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9 $ £ % & @ ( . , ? ! }

Futura Extra Bold Oblique web font

Fontdeck enables you to use Futura Extra Bold Oblique as real text on your website, using CSS. Try it for free, pay only $45.25 per year when you are ready to go live.

Try Futura Extra Bold Oblique for FREE

About this font

Font Family Futura
Classification Sans Serif » Geometric
Foundry Neufville Digital
Designer Paul Renner
Tags

First presented by the Bauer Type Foundry in 1928, Futura is commonly considered the major typeface development to come out of the Constructivist orientation of the Bauhaus movement in Germany.

Paul Renner (type designer, painter, author and teacher) sketched the original drawings and based them loosely on the simple forms of circle, triangle and square. The design office at Bauer assisted him in turning these geometric forms into a sturdy, functioning type family, and over time, Renner made changes to make the Futura fonts even more legible. Its long ascenders and descenders benefit from generous line spacing. The range of weights and styles make it a versatile family.

Futura is timelessly modern; in 1928 it was striking, tasteful, radical - and today it continues to be a popular typographic choice to express strength, elegance, and conceptual clarity.

Websites using Futura

Contrast Soflens Keep On Turning Eric Whitacre